Nine peasant woodcarvers from Poland, their works, their thoughts, and the unexpected elements in each personal view. They draw their themes from biblical characters, the day-to-day pleasures and labours of village life, their historical heritage, but also Auschwitz and the devil next-door. Existential difficulties pose challenges. Lending them form is a way to master them, to constrain them within an image.

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Melodrama set during wartime.

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36-year-old Birgit desires nothing more than an intact family. Since she lives with her husband Andreas, the common child Philip and Sarah, her daughter from a previous, failed relationship in solid economic conditions in a terraced house, she feels very close to her ideal. Through Sarah's puberty, the family is put to the test. But Birgit believes that luckily only the formal confirmation of the adoption of Sarah by Andreas is missing.

The intelligent Linda, daughter of Joseph and Jane, takes a critical view of her parents' marriage. Her father's dominant behavior and her mother's indifference become so unbearable to her that she decides to run away. She manages to persuade Jane to accompany her.

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On February 20, 1953, the Nordwestdeutsche Rundfunk broadcast the first cooking show of German post-war television. Clemens Carl Hahn became the TV chef Clemens Wilmenrod. When the "request in ten minutes to table" on the screens flickered, went for the presenter of the show a dream come true: He had designed the cooking show not only the first TV format that was aimed at women, but also a new self invented.

A morality tale from the time of the Saxon Kingdom. The von Siebenthal volunteer fire department has nothing to do. When their local pub is in a very dilapidated state, but the landlord has no money to renovate it, the fire department tries to help out by setting fire to it themselves, but it doesn't quite work. They look for a new object to set fire to, the supposedly empty prison. But there is only one prisoner, who is heroically rescued by Captain Kaden.